Other Sounds
The following are a smattering of things Ryan has written for other ensembles or in specific styles. He is pathologically interested in variety, so if you're interested in a piece similar to or completely different from what you've seen please reach out via the contact form. He's either already got one, is interested in doing it, or knows someone who would be perfect and will put you in touch.

Aotearoa Sketches
Brass Quintet
This piece was commissioned by Joe Smith and the Colorado Brass Quintet for their performance at the 2025 NABBA Championships and written in the fall of 2024. I had recently been on a trip to New Zealand with my wife, and while I live a rather charmed life that involves frequent travel to various interesting locations this was a life-changing experience and it became the inspiration for this piece.

Danse Negre, Opus 35 No. 4
Concert Band
Orchestral transcription for band of the fourth movement from Samuel Coleridge-Taylor’s African Suite (Opus 34). Commissioned by the Ridge View High School Wind Ensemble (Dustin King, director) and premiered during their performance at the 2021 University of South Carolina Honor Band Clinic as part of the South Carolina Music Educators Association Conference.

To The Forefront
Flugelhorn Solo
This piece was commissioned by Joe Smith in the fall of 2024 and went through several iterations before its current form. The original concept was for a flugelhorn solo with a modern style backing track for accompaniment, and to be more of a technical piece than the more typical lyrical ballad. Both of those elements have remained true throughout the process, but it also expanded to include learning about working within Logic Pro on automations and MIDI, and various ways of digitally processing a flugelhorn sound both live and after being recorded. Shout out to Jacob Beinborn for his technical and musical contributions with the backing track (notably the percussion/digital sound design elements within the track and the initial flugel processing ideas), and Caleb Alexander for his technical expertise and final mastering of the tracks.
The title of “To The Forefront” comes from a shared history Joe and I have with the Santa Clara Vanguard; Joe marched there and I taught there for almost a decade, and we both like the idea that the name vanguard implies being at the leading edge of things. I won’t claim anything in this piece is truly groundbreaking, but it was definitely fun to explore new ideas and compositional processes and it also led to a general progression throughout the piece from more pure acoustic-based sounds to more processed and digital ones.
Performance Notes:
While written originally for flugelhorn, the piece is equally suited for trumpet or cornet and I would be eager to hear interpretations using those instruments.
The idea of digitally processing the flugel sound was definitely a part of the plan for the piece, but you should not feel obligated to include this aspect in your own performance. If you do want to include digital processing as part of your performance, there are a few options listed in the score notes.
Note - When ordering, the backing track will be sent separately to ensure the most appropriate format is provided. Feel free to reach out in advance to discuss options.

allCall
Wind Ensemble and World Percussion Ensemble
Commissioned by Ridge View High School in South Carolina, this was a unique opportunity to use some of my musical interests and experiences (extended large ensemble music, Afro-diasporic grooves) and put them all together in a way that let two very different musical ensembles play together and learn about each other. Also playable with drum set, please use the inquiry form to ask about getting parts for your exact percussion needs.